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The new additions to the extant corpus of antiquity’s greatest female artist were reported in papers around the world, leaving scholars gratified and a bit dazzled. Remarkably enough, this was the second major Sappho find in a decade: another nearly complete poem, about the deprivations of old age, came to light in 2004. The text is now known as the “Brothers Poem.” The four-line stanzas were in fact part of a schema she is said to have invented, called the “sapphic stanza.” To clinch the identification, two names mentioned in the poem were ones that several ancient sources attribute to Sappho’s brothers. lyric genius whose sometimes playful, sometimes anguished songs about her susceptibility to the graces of younger women bequeathed us the adjectives “sapphic” and “lesbian” (from the island of Lesbos, where she lived). The dialect, diction, and metre of these Greek verses were all typical of the work of Sappho, the seventh-century-B.C. Much older: about a thousand years more ancient than the papyrus itself. But, as he looked at the curious pattern of the lines-repeated sequences of three long lines followed by a short fourth-he saw that the text, a poem whose beginning had disappeared but of which five stanzas were still intact, had to be older. Judging from the style of the handwriting, Obbink estimated that it dated to around 200 A.D.
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After acquiring the cartonnage at a Christie’s auction, the collector soaked it in a warm water solution to free up the precious bits of papyrus. Densely covered with lines of black Greek characters, they had been extracted from a piece of desiccated cartonnage, a papier-mâché-like plaster that the Egyptians and Greeks used for everything from mummy cases to bookbindings. When pieced together, the scraps that the collector showed Obbink formed a fragment about seven inches long and four inches wide: a little larger than a woman’s hand. The collector’s identity has never been revealed, but the scholar was Dirk Obbink, a MacArthur-winning classicist whose specialty is the study of texts written on papyrus-the material, made of plant fibres, that was the paper of the ancient world. One day not long after New Year’s, 2012, an antiquities collector approached an eminent Oxford scholar for his opinion about some brownish, tattered scraps of writing.
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Some scholars question how personal her erotic poems actually are. New papyrus finds are refining our idea of Sappho.